Typography and Font Tips for Sharp Looking Screen Prints

Understanding the basics of typography can help you create attractive screen prints - here are some of the fundamentals!

April 12, 2018 Typography and Font Tips for Sharp Looking Screen Prints

We’ve all seen typography fails: Ads or shirts whose lettering just doesn’t work. That could mean the spacing between letters makes the words hard to read, or easily misread; that the typeface and design don’t quite fit the message or branding; or that the design just looks “off.” 

While it’s easy to identify a typography miss, it’s a lot harder to avoid these misses if you’ve never trained in typography or graphic design. If you’re working in screen printing and trying to get a handle on typography, here’s a crash course of helpful typography basics.

Choosing your typeface and font

The most basic element in all typography is the typeface. That’s the visual appearance of the character, what most people usually refer to as a “font” — think Times New Roman, Helvetica, Arial and the like. The font, on the other hand, refers to all of the characteristics of the type, including the typeface and size, and whether the print is bold or italicized. The typeface, in conjunction with the font, sets the overall tone of your printed message. The basic types of typeface include:

typefaces

Serif. A serif is the small line that is attached to the top or bottom of a letter in some typefaces. A typeface with a serif generally looks classic and more authoritative.

Sans serif. As you might have guessed, a sans serif typeface does not have the serif on its characters. Sans serif typefaces are clean and strike a sleeker, more modern tone.

Blackletter. Blackletter typefaces, the most common one being “Gothic,” are known for their bold strokes and elaborate swirling serifs. Blackletter typefaces make a bold statement, but they can be difficult to read.

Script. Script typefaces are meant to mimic handwriting. A cursive script can make a design look elegant and add a sense of formality, while a print typeface might make a design more casual. Like Blackletter typefaces, you do have to be more cautious with a script typeface because they can be more difficult to read.

Once you know the different types of typeface, you can use that as a starting point for choosing your typeface and, eventually, your font. Sans serif typefaces are most popular for screen prints because they are clean and easy to read and have a contemporary feel. However, all of the different kinds of typefaces can be used successfully to strike the tone you’re looking for in your design.

Mixing your typeface and fonts

You don’t have to commit to one typeface and font for your print. In fact, mixing typefaces and fonts can make your design more interesting, or it can help you to prioritize text. For example, if you’re printing a company or event name with an accompanying slogan, varying the typeface and/or font can help you distinguish the two. If you want a varied look in your print, you can choose two complementary fonts — such as a sans serif and a serif, or a script and a sans serif — or you can change the font of the same typeface. Remember that the largest, brightest and boldest font will be what viewers' eyes see first, so use those elements to your advantage to draw your audience’s attention where you want it.

Adjusting your typeface

Once you choose your typefaces and fonts and layout your design, your work isn’t done. You have to adjust the characters and words so they have the right look on the final printed product. When you type a word or phrase in your design program, for example, you might notice that two letters run together or that one letter isn’t centered between the two letters on either side. That can make the design difficult to read or just look awkward. Or, you might adjust the spacing in your typeface to add more whitespace or increase the density of the text, depending on the look you’re trying to achieve. There are three primary ways to adjust your typeface:

Kerning. Kerning adjusts the spacing between two letters for ideal letter placement.

Tracking. Tracking adjusts the spacing between multiple characters or words.

Leading. Leading adjusts the horizontal spacing between lines of text, making the baseline of the texts closer together or farther apart.

It can seem intimidating to start meddling with the “natural” spacing of characters created by your design program. But adjusting your typeface should be a regular part of your design process. Kerning, tracking and leading are ultimately what make a design look more polished and professional, and in screen printing, they become extremely important because the often larger scale of prints can exaggerate odd spacing between letters or words.

Improving your typography skills

Typography can be a very involved art. There are, after all, highly trained designers who have spent years studying the ins and outs of typography. But that doesn’t mean that you can’t learn to manipulate and use typography to create great designs in your screen printing shop. Start with the typography basics. From there, start to experiment and play around with different typography mixes and spacing in your designs. Typography is a hands-on artform, and the more you experiment the better you’ll get. And becoming skilled in typography will help you to turn out more professional-looking designs, as well as to create varied designs for your customers that save you from churning out boring looking prints time and time again.

Looking for some more tips to help sharped your screen printing design skills? Check out these blogs:

Using Vector Graphics to Your Advantage When Creating Screen Printing Artwork

Top 5 Screen Printing Artwork Mistakes to Avoid

How to Avoid the Headache of Customer-Supplied Screen Printing Artwork

Tags: screen printing methods, screen printing techniques

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