{"id":13516,"date":"2018-12-12T16:13:16","date_gmt":"2018-12-12T16:13:16","guid":{"rendered":"https:\/\/anatol.com\/?p=13516"},"modified":"2023-04-26T10:46:32","modified_gmt":"2023-04-26T10:46:32","slug":"how-to-save-time-with-wet-on-wet-screen-printing-on-your-automatic-press","status":"publish","type":"post","link":"https:\/\/anatol.com\/es\/how-to-save-time-with-wet-on-wet-screen-printing-on-your-automatic-press\/","title":{"rendered":"How to Save Time with Wet-On-Wet Screen Printing on Your Automatic Press"},"content":{"rendered":"
Most screen printers are looking for ways to increase production speed while maintaining quality. Printing wet-on-wet allows you to do just that! With wet-on-wet screen printing, you don\u2019t have to add minutes to your production time by flashing in between each color.<\/p>\n
Wet-on-wet screen printing with an automatic screen printing press<\/a> can provide some challenges. If you don\u2019t take precautions before and during printing, your screens likely will pick up wet ink from your substrate, ruining your stencils and muddling your printing colors. Here are some tips for screen printing wet-on-wet with your automatic press:<\/p>\n All of your press runs should begin with a check of your press, but this check is especially important when you\u2019re printing wet-on-wet. Be sure that your press’s print heads and your pallets are flat, level and firmly in place. If they are lifting and shifting during printing, or if they are at odd angles, your stencils won\u2019t line up perfectly during printing and the edges of your ink will smudge and bleed into one another. You might also want to increase your press\u2019s off contact. A higher off contact will allow your screen to snap away from your print more cleanly, making it less likely to pick up wet ink that already has been laid down. For the same reason, make sure that your screens are adequately tensioned.<\/p>\n There is a right order in which to print your inks wet-on-wet to reduce the risk of ink pick up. While there are always exceptions to the rule, convention calls for laying down your lightest ink color first and working your way to the darkest color. You also should lay down the ink color with the smallest footprint first and work your way toward the largest ink deposit.<\/p>\n Of course, if you are laying down an underbase for your print, you will need to flash cure this before you proceed with printing wet-on-wet. One common mistake printers make is that they fail to allow enough time for their flashed underbase to cool before laying down their first print color, which can lead to ink buildup on your screens. Some screen printers will add an empty station or two after the flash cure to provide cooling time. If this isn\u2019t an option due to your press configuration, you can employ a cooling fan (just be careful not to blow dust into your prints).<\/p>\n For more info on good techniques to use while screen printing underbase layers, check out The Tricky Business of Screen Printing Underbase<\/a><\/p>\n One of the reasons screens will pick up ink when printing wet-on-wet is that too much ink is being laid down on the substrate. A lighter ink deposit will lead to less buildup. Use a higher mesh count screen \u2014 200 or above \u2014 and a higher durometer squeegee to deposit less ink. Be sure that your squeegee isn\u2019t exerting too much pressure on your screen. If your ink is too thick, it can cause you to put too much force on your screens during printing. If this is the case, consider using an ink reducer to lower the ink\u2019s viscosity and allow it to flow through your screen mesh more easily. You also can look for inks that are specifically formulated for wet-on-wet screen printing.<\/p>\n Check out more tips on selecting the right mesh count and squeegee for your print job:<\/p>\n Screen Printing 101: Choosing the Right Mesh Count<\/a><\/p>\nPrepare your press for wet-on-wet screen printing<\/h2>\n
Lay down your inks in the right order<\/h2>\n
Flash your underbase<\/h2>\n
Leave a lighter ink deposit<\/h2>\n